2016, 8 x 11 inches, laser print

A series of prints investigating the proliferation of digital networks into mundane social spaces. UV mapping is the common process of wrapping virtual 3d forms with 2d textures. A hallway bench alcove form is "badly" mapped with a procedural noise function suggesting the digital undercurrent. Dramatic variations in frequencies are generated by the resulting distortions and result in a digital wood grain. Additionally, the laser toner cartridge, nearing its end of life, renders ghost-like variations in tone and depth.